黑名单的声音 ：新加坡华语禁歌初探（1960－1990）= 1960-1990 : a study on restricted Sinophone songs in Singapore

• Main Author: 陈君权 Tan, Chin Kiang
• Other Authors: Hee Wai Siam
• Format: Final Year Project
• Language: Chinese
• Published: 2018
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/73399
• Institution: Nanyang Technological University

本文是首个在新加坡语境下，以禁歌为中心展开的研究。通过对新加坡禁歌现象做系统性的整理和归纳，期望能为对新加坡华语歌曲审查制度感兴趣的学者提供一个新的论述视野。笔者针对被禁的歌曲进行分析，结合目力所及的官方资料、新闻报道以及实地采访内容，归纳出本地禁歌的三种审查现象，即官方审查、自我审查以及反审查。同时，借由研究本地禁歌的情况，笔者也对一个国家政治机构在某个时代背景下所采取的方针和面向，以及所要管制的范围和力度，做出推测和分析。笔者把1960年到1990年的本地禁歌划分为：意识形态强烈的爱国歌曲、带有不良意识的黄色歌曲、触及敏感课题的歌曲、以及被边缘化的方言歌曲。这些歌曲因为各种原因被禁，其中包括政治机构对共产主义的担忧、触及政治机构设定的禁忌课题等。政治机构以“国家之名”价值判断假设不查禁这些歌曲，将动摇社会的安定，也会对政权构成威胁。实际上，笔者认为有些歌曲没有被禁的需要。随着现今科技的日新月异，互联网的普及化，歌曲的审查制度已经名存实亡。 This is the first arcticle focus on the restricted songs in Singapore.By systematically arranging and summarizing the banned songs in Singapore, the author hope to provide a new perspective for researchers who are interested in Singapore Chinese song censorship. The author analyzed the banned songs, combined with the collected official information, news reports and field interviews, summed up the three kinds of censorship of local banned songs, namely the official review, self-censorship and anti-censorship. Through studying the local banned songs situation, we can speculate and analyze the principles and orientations that a political institution of a country adopts in a certain period of time and the scope and intensity of its control. The author classified the banned songs into four groups. They are ideologically patriotic songs, porn songs, songs touching sensitive topics, and dialect songs. These songs were banned for various reasons, including anti-dispersion, fears of communism, and taboos on political institutions. Political institutions use their own set of value, assuming that these songs, if not banned, will destabilize the community, which will also pose a threat to the regime. In fact, in my opinion, some songs should not be banned. Today, with the everchanging technology, the popularity of the Internet, the censorship of songs has largely been in existence.