Creative industries debate: Unfinished business: Labour, management, and the creative industries

In what follows I am going to argue that the rise of the creative industries has in general been understood too narrowly. This narrow understanding has had implications for the way that a politics of management and labour in the creative industries has been framed and contained, and it has held back...

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Main Author: HARNEY, Stefano
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2010
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Online Access:https://ink.library.smu.edu.sg/lkcsb_research/5562
https://ink.library.smu.edu.sg/context/lkcsb_research/article/6561/viewcontent/Creative_industries_debate_2010.pdf
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spelling sg-smu-ink.lkcsb_research-65612019-08-29T07:06:25Z Creative industries debate: Unfinished business: Labour, management, and the creative industries HARNEY, Stefano In what follows I am going to argue that the rise of the creative industries has in general been understood too narrowly. This narrow understanding has had implications for the way that a politics of management and labour in the creative industries has been framed and contained, and it has held back an analysis of class struggle in the creative industries. To elaborate an understanding of labour in the creative industries I am going to revisit some insights related to the development of British cultural studies, and try to link these insights to what Stuart Hall calls the conditions of possibility for the creative industries today (1973/1980). These conditions of possibility require a different conception of labour, infusing the circuits of production in what Italian post-workerist theorists call the social factory. Such an elaboration of the work of culture allows us to reframe the questions of labour struggle and management control in the creative industries. The method of this article will of necessity be somewhat speculative and its scope broad, but where possible I will try to give examples of what I mean in order to focus on the possibilities for developing a politics of labour under the expanded conditions considered here. 2010-05-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/lkcsb_research/5562 info:doi/10.1080/09502381003750401 https://ink.library.smu.edu.sg/context/lkcsb_research/article/6561/viewcontent/Creative_industries_debate_2010.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection Lee Kong Chian School Of Business eng Institutional Knowledge at Singapore Management University post-workerism labour process creative industries knowledge management Arts Management Strategic Management Policy
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic post-workerism
labour
process
creative industries
knowledge management
Arts Management
Strategic Management Policy
spellingShingle post-workerism
labour
process
creative industries
knowledge management
Arts Management
Strategic Management Policy
HARNEY, Stefano
Creative industries debate: Unfinished business: Labour, management, and the creative industries
description In what follows I am going to argue that the rise of the creative industries has in general been understood too narrowly. This narrow understanding has had implications for the way that a politics of management and labour in the creative industries has been framed and contained, and it has held back an analysis of class struggle in the creative industries. To elaborate an understanding of labour in the creative industries I am going to revisit some insights related to the development of British cultural studies, and try to link these insights to what Stuart Hall calls the conditions of possibility for the creative industries today (1973/1980). These conditions of possibility require a different conception of labour, infusing the circuits of production in what Italian post-workerist theorists call the social factory. Such an elaboration of the work of culture allows us to reframe the questions of labour struggle and management control in the creative industries. The method of this article will of necessity be somewhat speculative and its scope broad, but where possible I will try to give examples of what I mean in order to focus on the possibilities for developing a politics of labour under the expanded conditions considered here.
format text
author HARNEY, Stefano
author_facet HARNEY, Stefano
author_sort HARNEY, Stefano
title Creative industries debate: Unfinished business: Labour, management, and the creative industries
title_short Creative industries debate: Unfinished business: Labour, management, and the creative industries
title_full Creative industries debate: Unfinished business: Labour, management, and the creative industries
title_fullStr Creative industries debate: Unfinished business: Labour, management, and the creative industries
title_full_unstemmed Creative industries debate: Unfinished business: Labour, management, and the creative industries
title_sort creative industries debate: unfinished business: labour, management, and the creative industries
publisher Institutional Knowledge at Singapore Management University
publishDate 2010
url https://ink.library.smu.edu.sg/lkcsb_research/5562
https://ink.library.smu.edu.sg/context/lkcsb_research/article/6561/viewcontent/Creative_industries_debate_2010.pdf
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