Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity

Research in the cognitive and social psychological science has revealed the pervading relation between body and mind. Physical warmth leads people to perceive others as psychological closer to them and to be more generous towards others. More recently, physical warmth has also been implicated in the...

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Main Authors: IJzerman, Hans, LEUNG, Angela K. Y., ONG, Lay See
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2014
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Online Access:https://ink.library.smu.edu.sg/soss_research/1549
https://ink.library.smu.edu.sg/context/soss_research/article/2806/viewcontent/2014_Perceptual_symbols_of_creativity_Coldness.pdf
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spelling sg-smu-ink.soss_research-28062017-11-12T05:40:04Z Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity IJzerman, Hans LEUNG, Angela K. Y. ONG, Lay See Research in the cognitive and social psychological science has revealed the pervading relation between body and mind. Physical warmth leads people to perceive others as psychological closer to them and to be more generous towards others. More recently, physical warmth has also been implicated in the processing of information, specifically through perceiving relationships (via physical warmth) and contrasting from others (via coldness). In addition, social psychological work has linked social cues (such as mimicry and power cues) to creative performance. The present work integrates these two literatures, by providing an embodied model of creative performance through relational (warm = relational) and referential (cold = distant) processing. The authors predict and find that warm cues lead to greater creativity when 1) creating drawings, 2) categorizing objects, and 3) coming up with gifts for others. In contrast, cold cues lead to greater creativity, when 1) breaking set in a metaphor recognition task, 2) coming up with new pasta names, and 3) being abstract in coming up with gifts. Effects are found across different populations and age groups. The authors report implications for theory and discuss limitations of the present work. 2014-05-01T07:00:00Z text application/pdf https://ink.library.smu.edu.sg/soss_research/1549 info:doi/10.1016/j.actpsy.2014.01.013 https://ink.library.smu.edu.sg/context/soss_research/article/2806/viewcontent/2014_Perceptual_symbols_of_creativity_Coldness.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection School of Social Sciences eng Institutional Knowledge at Singapore Management University Embodied Grounding Warmth Social Relations Processing Styles Creativity Social Psychology
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic Embodied Grounding
Warmth
Social Relations
Processing Styles
Creativity
Social Psychology
spellingShingle Embodied Grounding
Warmth
Social Relations
Processing Styles
Creativity
Social Psychology
IJzerman, Hans
LEUNG, Angela K. Y.
ONG, Lay See
Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
description Research in the cognitive and social psychological science has revealed the pervading relation between body and mind. Physical warmth leads people to perceive others as psychological closer to them and to be more generous towards others. More recently, physical warmth has also been implicated in the processing of information, specifically through perceiving relationships (via physical warmth) and contrasting from others (via coldness). In addition, social psychological work has linked social cues (such as mimicry and power cues) to creative performance. The present work integrates these two literatures, by providing an embodied model of creative performance through relational (warm = relational) and referential (cold = distant) processing. The authors predict and find that warm cues lead to greater creativity when 1) creating drawings, 2) categorizing objects, and 3) coming up with gifts for others. In contrast, cold cues lead to greater creativity, when 1) breaking set in a metaphor recognition task, 2) coming up with new pasta names, and 3) being abstract in coming up with gifts. Effects are found across different populations and age groups. The authors report implications for theory and discuss limitations of the present work.
format text
author IJzerman, Hans
LEUNG, Angela K. Y.
ONG, Lay See
author_facet IJzerman, Hans
LEUNG, Angela K. Y.
ONG, Lay See
author_sort IJzerman, Hans
title Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
title_short Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
title_full Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
title_fullStr Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
title_full_unstemmed Perceptual symbols of creativity: Coldness elicits referential, warmth elicits relational creativity
title_sort perceptual symbols of creativity: coldness elicits referential, warmth elicits relational creativity
publisher Institutional Knowledge at Singapore Management University
publishDate 2014
url https://ink.library.smu.edu.sg/soss_research/1549
https://ink.library.smu.edu.sg/context/soss_research/article/2806/viewcontent/2014_Perceptual_symbols_of_creativity_Coldness.pdf
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