Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education

In 2013, the Philippines shifted from a ten to a thirteen year basic education curriculum. Expanding the number of years of schooling necessitated the addition of new grade levels, including Grades 11 and 12, collectively referred to as ‘Senior High School’. The teachers who first taught in these le...

Full description

Saved in:
Bibliographic Details
Main Authors: Enverga, Manuel R., Enverga, Elizabeth R.
Format: text
Published: Archīum Ateneo 2023
Subjects:
Online Access:https://archium.ateneo.edu/european-stud-faculty-pubs/11
https://doi.org/10.1080/13540602.2023.2265829
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Ateneo De Manila University
id ph-ateneo-arc.european-stud-faculty-pubs-1010
record_format eprints
spelling ph-ateneo-arc.european-stud-faculty-pubs-10102024-03-04T08:21:41Z Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education Enverga, Manuel R. Enverga, Elizabeth R. In 2013, the Philippines shifted from a ten to a thirteen year basic education curriculum. Expanding the number of years of schooling necessitated the addition of new grade levels, including Grades 11 and 12, collectively referred to as ‘Senior High School’. The teachers who first taught in these levels were in a situation in which they had to carry out their work without a prescribed modus operandi. There was no precedent for how one dealt with students, administrators, or parents. Nevertheless, these teachers had to carry on with their work. Using data gathered from 19 FGD participants, this paper examined the experiences of the pioneer batch of instructors to handle Grade 11 and 12 students. Goffman’s (1956) dramaturgical approach was a useful heuristic for understanding the data. It is underpinned by the assumption that social interactions resemble stage performances, with individuals performing roles for audiences. The pioneering batch of teachers could, thus, be understood as actors having to play the role of competent educator to audiences of students and parents without a fully-written script, in the form of existing modus operandi. The difficulties of their role are compounded by bureaucratic uncertainty among administrators, their backstage support staff. 2023-01-01T08:00:00Z text https://archium.ateneo.edu/european-stud-faculty-pubs/11 https://doi.org/10.1080/13540602.2023.2265829 European Studies Department Faculty Publications Archīum Ateneo Dramaturgy K-12 transition Philippines senior high school teachers Education Secondary Education
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Dramaturgy
K-12 transition
Philippines
senior high school teachers
Education
Secondary Education
spellingShingle Dramaturgy
K-12 transition
Philippines
senior high school teachers
Education
Secondary Education
Enverga, Manuel R.
Enverga, Elizabeth R.
Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
description In 2013, the Philippines shifted from a ten to a thirteen year basic education curriculum. Expanding the number of years of schooling necessitated the addition of new grade levels, including Grades 11 and 12, collectively referred to as ‘Senior High School’. The teachers who first taught in these levels were in a situation in which they had to carry out their work without a prescribed modus operandi. There was no precedent for how one dealt with students, administrators, or parents. Nevertheless, these teachers had to carry on with their work. Using data gathered from 19 FGD participants, this paper examined the experiences of the pioneer batch of instructors to handle Grade 11 and 12 students. Goffman’s (1956) dramaturgical approach was a useful heuristic for understanding the data. It is underpinned by the assumption that social interactions resemble stage performances, with individuals performing roles for audiences. The pioneering batch of teachers could, thus, be understood as actors having to play the role of competent educator to audiences of students and parents without a fully-written script, in the form of existing modus operandi. The difficulties of their role are compounded by bureaucratic uncertainty among administrators, their backstage support staff.
format text
author Enverga, Manuel R.
Enverga, Elizabeth R.
author_facet Enverga, Manuel R.
Enverga, Elizabeth R.
author_sort Enverga, Manuel R.
title Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
title_short Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
title_full Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
title_fullStr Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
title_full_unstemmed Performing Without a Script: A Dramaturgical Analysis of the First Cohort of Senior High School Teachers in the History of Philippine Education
title_sort performing without a script: a dramaturgical analysis of the first cohort of senior high school teachers in the history of philippine education
publisher Archīum Ateneo
publishDate 2023
url https://archium.ateneo.edu/european-stud-faculty-pubs/11
https://doi.org/10.1080/13540602.2023.2265829
_version_ 1792664320430047232