Hawaii, Cannes, and Los Angeles : projecting South Korean cinema to the world
In summer 2015, Star Wars: The Force Awakens dominated the box office in virtually every major film market on the planet. There were, however, two notable exceptions. Patrick Brezeski (The Hollywood Reporter) points out two markets where the force was not strong enough to hold local audiences – Viet...
Saved in:
Main Author: | Lee, Sangjoon |
---|---|
Other Authors: | Wee Kim Wee School of Communication and Information |
Format: | Article |
Language: | English |
Published: |
2020
|
Subjects: | |
Online Access: | https://hdl.handle.net/10356/143162 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Nanyang Technological University |
Language: | English |
Similar Items
-
Hawaii, Cannes, and Los Angeles : projecting South Korean cinema to the world
by: Lee, Sangjoon
Published: (2018) -
Rediscovering Korean cinema
by: Lee, Sangjoon
Published: (2020) -
The South Korean film industry and the Chinese film market
by: Lee, Sangjoon
Published: (2020) -
Destination Hong Kong : the geopolitics of South Korean espionage films in the 1960s
by: Lee, Sangjoon
Published: (2022) -
The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
by: Yu, Taeyun
Published: (2024)