论张曼娟《妖物志》中妖物的再创造与其性别的关怀 = The recreation of the female supernaturals and gender issues in "Yao Wu Zhi"

• Main Author: 陈文华 Chan, Boon Wah
• Other Authors: I Lo-fen
• Format: Final Year Project
• Language: Chinese
• Published: 2009
• Subjects: DRNTU::Humanities::Literature::Chinese
• Online Access: http://hdl.handle.net/10356/15401
• Institution: Nanyang Technological University

本文探讨张曼娟在《妖物志》中如何在古典文本上进行再创造，将着重在两点：故事情节与人物刻画。笔者选了《妖物志》里的四篇故事，将故事情节与作者所引用的古典文本作个比较。除此之外，笔者也会将《妖物志》中的主要人物（女妖和男主人公）与这些古典文本中的人物作比较。在比较两种文本的故事情节与人物刻画时，将探讨张曼娟如何和为何设计这些差异，以及她的写作动机与目的。其中也浅析张曼娟以异性声音来叙述故事的创作策略与目的。 Yao Wu Zhi is a collection of short stories that the author Zhang Manjuan is devoted to innovating in style. The two important components of these stories – the content of the story and creation of the characters are being analyzed in this article. A comparison between Yao Wu Zhi and the ancient literatures which it quoted from is made to give perspective of the author’s objectives in adding elements that modified and mrecreated these stories. On top of that, Zhang Manjuan uses the voice of opposite gender in the story narration. This article finds out the aim of using this writing strategy in Yao Wu Zhi.