被弱化的女性意识 ：拉森「千禧年三部曲」中英译文对比 = Lost in gender discourse : comparison of the Chinese and English translation of Stieg Larsson's "Millennium Trilogy”

• Main Author: 郑加欣 Teh, Jia Xin
• Other Authors: Kwan Sze Pui Uganda
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2022
• Subjects: Humanities::Language::Chinese
• Online Access: https://hdl.handle.net/10356/155705
• Institution: Nanyang Technological University

斯蒂格·拉森(Stieg Larsson)的「千禧年三部曲」在全球售出50国版权，被翻译为35种语言。三部曲其中最为人所知的，就是两次被改编成电影的《龙纹身的女孩（2008年）》（The Girl with The Dragon Tattoo (2008)）。汉译首先在台湾出版，迄今为止仍然是汉语界唯一的译本。由于作品风格特别，题材大胆破格，再加上电影的叫好叫座，汉译版本同样有着相当高的影响力。可惜的是，过去的研究，大多只是针对女性形象及电影手法，对译文的细分探讨却无人问津。 事实上，汉译对我们如何了解「千禧年三部曲」系列张扬的女性主义意识，可谓作了关键的影响。「千禧年三部曲」书中的女性虽然是受害者，但通过无比的勇气和智慧，展现了强烈的女性意识及独立人格。她们自身就是力量的根源，绝不依附男人并等待被拯救。小说中的女性大多数都是能干独立，形象干练，而且嫉恶如仇，对于社会的不公义及男权社会的厌女风气，从不妥协。译界及学界过去很少留心的是，中译本的省略和改写无法传递小说中的女性意识。从性别视角来看，译者不仅弱化了英译本的女性主义色彩，还无形中在剥削女性的性别权利。本文以这为视点，分析英译文和中译文之间的差异，指出译文对原文女性意识的偏移及弱化效果。 关键词：女性意识、权利、性别视角、千禧年三部曲 Stieg Larsson's "Millennium Trilogy" has been sold in 50 countries worldwide and has been translated into 35 languages. The best known among the trilogy is The Girl with The Dragon Tattoo (2008), which was adapted twice into a film. The Chinese translation was first published in Taiwan and remains the only translated version in the Chinese community. With the unique style and bold theme of the novel, as well as the great popularity of the film, the Chinese translation also has a very high influence. Unfortunately, most of the past research only evaluate the portrayals of females and film techniques, and there has been a lack of analysis on the translated text. In fact, the Chinese translation have had a key influence on how the readers understand the feminism that is carried through the “Millennium Trilogy” series. Although the women in the "Millennium Trilogy" are victims, they show a strong sense of femininity and independence through their incomparable courage and wisdom. Women themselves are their source of power. They will never depend on men and wait to be rescued. Most of the women in the novel are strong and independent. They are remarkably adroit and hate injustice like poison. They will never compromise on the injustice of society and the misogyny of the male-dominated society. The translation and academic field have paid little attention to the omission and rewriting of the Chinese translation, resulting the failure to convey the female discourse in the English translation. From the gender perspective, the translator not only weakens the feminism of the English translation, but also invisibly exploits the gender rights of female characters. In this point of view, this paper analyses the differences between the English and the Chinese translation and points out the deviation and lost in gender discourse on the Chinese translation. Keyword: Feminism, Gender Discourse, Gender Perspectives, Millennium Trilogy