文化奖励建制的认可政治：以台湾金曲奖（2015–2023）为案例 = The politics of recognition in cultural awarding institutions: a case study of Taiwan's Golden Melody Awards (2015–2023)

• Main Author: 郭毅杰 Quek, Yee Kiat
• Other Authors: Quah Sy Ren
• Format: Final Year Project
• Language: Chinese
• Published: Nanyang Technological University 2024
• Subjects: Arts and Humanities; 认可政治 The politics of recognition; 台湾 Taiwan; 金曲奖 Golden melody awards; 文化奖励 Cultural awarding; 流行音乐 Popular music
• Online Access: https://hdl.handle.net/10356/174101
• Institution: Nanyang Technological University

自1990年创办以来，金曲奖以奖励台湾流行音乐产业及从业人员为己任，乃错综复杂的文化奖励生态系统之一环。其认可机制以当代文化动态为基准，呼应中华民国的文化政治策略，尤是其近十年的民主化转向。当前台湾社会政治意识增强，引发对语言、性/别，以及国籍等的平等认可政治，而金曲奖机制受其影响，更再度召唤戒严后台湾本土化和去中国化的概念。本文运用查尔斯·泰勒的认可政治理论分析2015–2023 年的金曲奖，望阐释目前金曲奖作为文化认可机制的角色——即于亚际文化网络中确立去中国化的台湾文化建构。 Since its inception in 1990, the Golden Melody Awards (GMA) has been key in rewarding the work of Taiwan’s popular music industry, functioning as part of a complex cultural awarding ecosystem. It gives recognition to works in line with contemporary cultural dynamics, echoing the republic’s approach to cultural politics, which has taken a democratic shift in the recent decade. This ongoing era of heightened socio-political consciousness in Taiwan has spurred a politics of equal recognition, of languages, genders/sexualities, and nationalities among others, and influenced the GMA’s mechanisms, recalling post martial-law notions of Taiwanisation and De-Sinification. This paper analyses the 2015–2023 editions of the GMA using Charles Taylor’s theory on The Politics of Recognition and posits the GMA’s current role as a cultural recognition apparatus in the establishment of a de-Sinified, Taiwanese cultural construct within the cultural networks of Asia and beyond.