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Abstractions and aesthetic representations of loss in film

This paper aims to explore the aesthetic representations of death and loss in film through film theories and concepts like Schrader’s (1972) transcendental style and it’s application in the thesis film Kintsugi. Alongside comparisons to Kore-eda’s debut feature Maborosi, the visual language of loss...

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書目詳細資料
主要作者: Choo, Austen Jin Ting
其他作者: Wong Chen-Hsi
格式: Final Year Project
語言:English
出版: 2018
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在線閱讀:http://hdl.handle.net/10356/74235
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機構: Nanyang Technological University
語言: English