Abstractions and aesthetic representations of loss in film
This paper aims to explore the aesthetic representations of death and loss in film through film theories and concepts like Schrader’s (1972) transcendental style and it’s application in the thesis film Kintsugi. Alongside comparisons to Kore-eda’s debut feature Maborosi, the visual language of loss...
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| Format: | Final Year Project |
| Language: | English |
| Published: |
2018
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| Online Access: | http://hdl.handle.net/10356/74235 |
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| Institution: | Nanyang Technological University |
| Language: | English |