Abstractions and aesthetic representations of loss in film

This paper aims to explore the aesthetic representations of death and loss in film through film theories and concepts like Schrader’s (1972) transcendental style and it’s application in the thesis film Kintsugi. Alongside comparisons to Kore-eda’s debut feature Maborosi, the visual language of loss...

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Bibliographic Details
Main Author: Choo, Austen Jin Ting
Other Authors: Wong Chen-Hsi
Format: Final Year Project
Language:English
Published: 2018
Subjects:
Online Access:http://hdl.handle.net/10356/74235
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Institution: Nanyang Technological University
Language: English
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