Abstractions and aesthetic representations of loss in film

• المؤلف الرئيسي: Choo, Austen Jin Ting
• مؤلفون آخرون: Wong Chen-Hsi
• التنسيق: Final Year Project
• اللغة: English
• منشور في: 2018
• الموضوعات: DRNTU::Social sciences::Mass media::Broadcasting::Motion pictures and films::Film theory and criticism; DRNTU::Visual arts and music::Film::Digital
• الوصول للمادة أونلاين: http://hdl.handle.net/10356/74235
• المؤسسة: Nanyang Technological University

This paper aims to explore the aesthetic representations of death and loss in film through film theories and concepts like Schrader’s (1972) transcendental style and it’s application in the thesis film Kintsugi. Alongside comparisons to Kore-eda’s debut feature Maborosi, the visual language of loss...