After great pain: The uses of religious folklore in Kenji Mizoguchi’s SANSHO THE BAILIFF (JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964)

After great pain: The uses of religious folklore in Kenji Mizoguchi’s SANSHO THE BAILIFF (JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964)

This article studies the adaptations and applications of religious folklore in two mas-terworks of Japanese cinema: Kenji Mizoguchi’s Sansho Dayu (Sansho the Bailiff, JP 1954) and Kaneto Shindo’s Onibaba (JP 1964). While academic approaches will often draw a strict line between narrative genres and...

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Bibliographic Details
Main Author: NG, Teng-kuan
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2023
Subjects:
Buddhism and Film
Japanese Cinema
Kaneto Shindo
Kenji Mizoguchi
Onibaba
Religious Folklore
Sansho the Bailiff
Asian Studies
Film and Media Studies
Religion
Online Access:https://ink.library.smu.edu.sg/cis_research/141
https://ink.library.smu.edu.sg/context/cis_research/article/1140/viewcontent/Ng__Teng_Kuan_After_Great_Pain_pvoa_cc_by_nc.pdf
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Institution: Singapore Management University
Language: English

Internet

https://ink.library.smu.edu.sg/cis_research/141
https://ink.library.smu.edu.sg/context/cis_research/article/1140/viewcontent/Ng__Teng_Kuan_After_Great_Pain_pvoa_cc_by_nc.pdf

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