After great pain: The uses of religious folklore in Kenji Mizoguchi’s SANSHO THE BAILIFF (JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964)

This article studies the adaptations and applications of religious folklore in two mas-terworks of Japanese cinema: Kenji Mizoguchi’s Sansho Dayu (Sansho the Bailiff, JP 1954) and Kaneto Shindo’s Onibaba (JP 1964). While academic approaches will often draw a strict line between narrative genres and...

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Bibliographic Details
Main Author: NG, Teng-kuan
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2023
Subjects:
Online Access:https://ink.library.smu.edu.sg/cis_research/141
https://ink.library.smu.edu.sg/context/cis_research/article/1140/viewcontent/Ng__Teng_Kuan_After_Great_Pain_pvoa_cc_by_nc.pdf
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Institution: Singapore Management University
Language: English
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