After great pain: The uses of religious folklore in Kenji Mizoguchi’s SANSHO THE BAILIFF (JP 1954) and Kaneto Shindo’s ONIBABA (JP 1964)
This article studies the adaptations and applications of religious folklore in two mas-terworks of Japanese cinema: Kenji Mizoguchi’s Sansho Dayu (Sansho the Bailiff, JP 1954) and Kaneto Shindo’s Onibaba (JP 1964). While academic approaches will often draw a strict line between narrative genres and...
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| Format: | text |
| Language: | English |
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Institutional Knowledge at Singapore Management University
2023
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| Online Access: | https://ink.library.smu.edu.sg/cis_research/141 https://ink.library.smu.edu.sg/context/cis_research/article/1140/viewcontent/Ng__Teng_Kuan_After_Great_Pain_pvoa_cc_by_nc.pdf |
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| Institution: | Singapore Management University |
| Language: | English |