李杨《盲系列三部曲》影像中的底层叙事
自“五四”以来，中国知识分子以底层叙事为底层群体发声，表现出知识分子社会责任感和对底层的关怀。90年代，中国经济的快速发展，“底层”问题得以凸显。本文以李杨的《盲系列三部曲》——《盲井》《盲山》《盲·道》为研究对象，探讨李杨呈现了底层的生存境遇，以及他如何通过影像表达主旨。此外，本文还将探讨李杨《盲系列三部曲》的局限性。Chinese intellectuals have used the underclass narrative to give voice to the underclass since the May Fourth Movement, demonstrating their...
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| Format: | Final Year Project |
| Language: | Chinese |
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Nanyang Technological University
2022
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| Online Access: | https://hdl.handle.net/10356/155735 |
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| Institution: | Nanyang Technological University |
| Language: | Chinese |