翻译、意识形态与创造性叛逆 ：以冯唐《飞鸟集》译本为例 = Translation, ideology and creative treason : case study of stray birds in Chinese by Feng Ta

• Main Author: 饶涖清 Yaw, Lee Cheng
• Other Authors: Cui Feng
• Format: Final Year Project
• Language: Chinese
• Published: 2017
• Subjects: DRNTU::Humanities
• Online Access: http://hdl.handle.net/10356/69651
• Institution: Nanyang Technological University

冯唐所翻译的《飞鸟集》在出版后引起巨大争议，事件最终以其出版方浙江文艺出版社下架译本收场。本文将以此事件作为翻译现象进行研究。上世纪 90 年代，翻译研究的“文化转向”明确被ᨀ出，文化层面的翻译议题上升到翻译研究的主导地位，以语言学为基础的研究范式逐渐边缘化。文化研究涉及对于操纵翻译的各项因素的探讨,并通过把译者与译文作为翻译研究的中心得到实践。本文将从“文化转向”视角出发，以意识形态与创造性叛逆为两大线索，分别探析导致冯译《飞鸟集》下架的主导因素与重新解读冯译。本文以安德烈·勒菲弗尔的改写理论与罗伯尔·埃斯卡皮ᨀ出的创造性叛逆概念作为前后部分的理论框架。勒菲弗尔ᨀ出赞助人、意识形态与诗学是操纵翻译活动的三种因素，本文通过实质性的分析认为冯译《飞鸟集》遭到下架主要是因为意识形态的操纵。符合文化研究范式的创造性叛逆概念能为冯译存在的创造性叛逆ᨀ供充分的理论依据，使译作的评价跳脱一般语言层面的分析。本文对冯译《飞鸟集》争议事件所做的研究为翻译与意识形态之间的关系，以及评鉴翻译的角度ᨀ供新视角。The controversial translation of Stray Birds by Feng Tang which was recalled by its publisher Zhejiang Literature and Art Publishing House will be discussed in this thesis. Proposed in the 1990s, the "Cultural Turn" led cultural studies to dominate the subject of translation studies, while marginalizing the linguistic aspect of translation. By establishing the translator and translation as the focus, translation studies examine the various influential factors in translation. This thesis will expound on the primary reason behind the recall of Stray Birds, as well as, explore a different interpretation of the translation. The rewriting theory suggested by André Lefevere and the concept "Creative Treason" proposed by Robert Escarpit will be respectively employed as the theoretical framework for the first and second half of the thesis. Lefevere proposed patronage, ideology and poetics to be three manipulating factors of translation, whereby ideology is concluded to be the main reason behind the recall of Stray Birds after analysis. As a concept that accords with the nature of the cultural turn, creative treason will be a suitable approach in reasoning Feng Tang’s translation outside the linguistic perspective. In essence, this thesis aims to provide a new outlook in the relationship between translation and ideology, as well as, the interpretation of translation with respect to the paradigm of cultural studies.