Modeling multichannel home video demand in the U.S. motion picture industry

The U.S. motion picture industry has become increasingly reliant on posttheatrical channel profits. Two often-cited drivers of these profits are cross-channel substitution among posttheatrical channels and seasonality in consumer preferences for any movie. The authors use a differentiated products v...

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Main Authors: MUKHERJEE, Anirban, Kadiyali, Vrinda
Format: text
Language:English
Published: Institutional Knowledge at Singapore Management University 2011
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Online Access:https://ink.library.smu.edu.sg/lkcsb_research/3151
https://ink.library.smu.edu.sg/context/lkcsb_research/article/4150/viewcontent/Modeling_Multichannel_Home_Video.pdf
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spelling sg-smu-ink.lkcsb_research-41502017-05-30T05:54:01Z Modeling multichannel home video demand in the U.S. motion picture industry MUKHERJEE, Anirban Kadiyali, Vrinda The U.S. motion picture industry has become increasingly reliant on posttheatrical channel profits. Two often-cited drivers of these profits are cross-channel substitution among posttheatrical channels and seasonality in consumer preferences for any movie. The authors use a differentiated products version of the multiplicative competitive interaction model to investigate these two phenomena. They estimate the model using data from 2000 and 2001 on two posttheatrical channels in the U.S. market: purchase and rental home viewing channels. Contrary to expectations based on business press commentary, after controlling for seasonality and movie attributes, the authors find low cross-channel price and availability elasticity for both channels. To measure the extent of cross-channel cannibalization, they simulate a 28-day window of sequential release with either purchase or rental channel going first. They find that windowing reduces the sum of revenues across both channels, because more consumers choose to not purchase or rent when faced with older movies in their favored channel rather than to switch to the alternative channel with newer movies. 2011-12-01T08:00:00Z text application/pdf https://ink.library.smu.edu.sg/lkcsb_research/3151 info:doi/10.1509/jmr.07.0359 https://ink.library.smu.edu.sg/context/lkcsb_research/article/4150/viewcontent/Modeling_Multichannel_Home_Video.pdf http://creativecommons.org/licenses/by-nc-nd/4.0/ Research Collection Lee Kong Chian School Of Business eng Institutional Knowledge at Singapore Management University multiple channel demand market share seasonality entertainment industry Broadcast and Video Studies Marketing
institution Singapore Management University
building SMU Libraries
continent Asia
country Singapore
Singapore
content_provider SMU Libraries
collection InK@SMU
language English
topic multiple channel demand
market share
seasonality
entertainment industry
Broadcast and Video Studies
Marketing
spellingShingle multiple channel demand
market share
seasonality
entertainment industry
Broadcast and Video Studies
Marketing
MUKHERJEE, Anirban
Kadiyali, Vrinda
Modeling multichannel home video demand in the U.S. motion picture industry
description The U.S. motion picture industry has become increasingly reliant on posttheatrical channel profits. Two often-cited drivers of these profits are cross-channel substitution among posttheatrical channels and seasonality in consumer preferences for any movie. The authors use a differentiated products version of the multiplicative competitive interaction model to investigate these two phenomena. They estimate the model using data from 2000 and 2001 on two posttheatrical channels in the U.S. market: purchase and rental home viewing channels. Contrary to expectations based on business press commentary, after controlling for seasonality and movie attributes, the authors find low cross-channel price and availability elasticity for both channels. To measure the extent of cross-channel cannibalization, they simulate a 28-day window of sequential release with either purchase or rental channel going first. They find that windowing reduces the sum of revenues across both channels, because more consumers choose to not purchase or rent when faced with older movies in their favored channel rather than to switch to the alternative channel with newer movies.
format text
author MUKHERJEE, Anirban
Kadiyali, Vrinda
author_facet MUKHERJEE, Anirban
Kadiyali, Vrinda
author_sort MUKHERJEE, Anirban
title Modeling multichannel home video demand in the U.S. motion picture industry
title_short Modeling multichannel home video demand in the U.S. motion picture industry
title_full Modeling multichannel home video demand in the U.S. motion picture industry
title_fullStr Modeling multichannel home video demand in the U.S. motion picture industry
title_full_unstemmed Modeling multichannel home video demand in the U.S. motion picture industry
title_sort modeling multichannel home video demand in the u.s. motion picture industry
publisher Institutional Knowledge at Singapore Management University
publishDate 2011
url https://ink.library.smu.edu.sg/lkcsb_research/3151
https://ink.library.smu.edu.sg/context/lkcsb_research/article/4150/viewcontent/Modeling_Multichannel_Home_Video.pdf
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